I had to get out of town, escape for a while. I called up some friends and made arrangements to crash with them, then hopped a train. After finding an acceptable open seat (the one next to the infant/parent combo was out, as was the one next to the little old lady who looked as though she'd talk my ear off), I settled in and stared out the window. It's like watching a movie of sorts, with the window as a screen and the passing highways and slums as actors, silently demonstrating their angst and their joy, their apathy and their excitement. Annie Lennox sings that "love don't show up in the pavement cracks", but that's just what's happening here, like careworn creases in a kindly grandmother's smile. In contrast, the tall, foreboding factories stand steady and fearsome, with their grim lights, barbed wire, and plumed smokestacks, give an air of superior brusqueness. It only enhanced my desire to remove myself. I wanted trees, and hills, and nature, not this urban wasteland I call home.

Tunes: "Long Line Of Cars", Cake (iTMS); "Fibber Island", They Might Be Giants (iTMS); "Walking in Memphis", Marc Cohn.